The Art of Community
The Art of Community
The Art of Community |
Each
week I write a brand new article to support members of our three wonderful
groups on Facebook, The Artists Exchange, The Artists Directory, and The Artist
Hangout and we are also now joined by another group, The Artists Lounge and you
will find more details below. The topic this week, bringing your people closer
and we take a look at going Glocal!
A journey of light…
I have always been fascinated by
other cultures. I remember flying back home from the USA as we traveled across
cities at 35,000 feet on a beautifully clear shut eye flight out of Orlando
International. I have never been one who can fall asleep on an aircraft, I’m
always too busy looking out of the windows. Mostly it’s always just fluffy
white clouds which can appear to be almost mystical under a moonlit sky, but on
this flight there were no clouds for the first few hours of an eight hour plus flight
back to the UK.
I looked out through the window and
we must have been heading over New York City. There was an ocean of light
whereas for two hours before the landscape seemed to be filled with stillness
and the peaks of the Appalachian Mountains. As I looked down I noticed all the
traffic moving as if in slow motion. I was able to follow the tail lights and
see street after street of what at this height looked like illuminated ants
slowly scurrying. Nowhere near enough detail to make anything or anyone
particular out, but just a stream of red and white light dispersed between city
blocks. It was one of the most beautiful and most peaceful moments as the rest
of the aircraft slept through the sights.
I remember thinking about what was
going on down there, each light represented at least a person. What were they
doing, where were they going, who were these people, were any of them people I
have connected with on social media, if they were then we were at that point
closer than we had ever been to each other physically and never realised it,
perhaps some of those people would be people I would one day connect with.
We didn’t see any light again until
nearly four and a half hours later as we started approaching the coast of
Ireland. I could make out tiny dots of light peeking through what was by now
dawns early light. In another hour and a half we would be back in England,
cold, grey, frosty, and about a million miles away from the temperatures we had
left back in Orlando. When I stepped off the plane the cold hit me squarely in
the face and I had a pang of sadness and a feeling like I had left a part of me
behind in the States.
That memory of looking down at a
landscape of lights representing people moving around has stayed with me for
the decade that has since passed. I often think back and try to remember the
detail of what I could see. There was something that stood out more than
anything else and it was a string of bright white light which from above looked
like five arms of a star shape meeting at the centre, I had no idea exactly
where this was and even to this day I have never been able to figure it out.
Whenever I have traveled around
the world some of my best memories have always been of the people. People live
very different lives but deep down we are all just the same. We need the same
basic things to survive, but what has surprised me whenever I have traveled is
that wherever I have been, people have a love and passion for the arts. The
arts is one of the few things I have noticed that has a unique power to really bring
people together.
Another View |
The Artists Lounge…
Last week I finally got around to
setting up the new Facebook group, The Artists Lounge. It is intended to be a
very different kind of art group. One where artists can come together and be
themselves without the pressures of marketing and sales. A group where people
can discuss the art world, what works and doesn’t work, what sells and doesn’t
sell, because I have always been a big believer in finding our people. Our
people are not just the “our people” who buy our art, but those who support us
with encouragement and with a listening ear and advice and friendly chat too. Those
people are just as important as the “our people” who buy our art.
Being an artist can mean that you
often find yourself working in a silo. It can be the loneliest job ever at
times but at other times it can be filled with people, sometimes many and even
too many people. The new group isn’t
somewhere to go to try and find a new market, it is I am hoping, somewhere that
artists will be able to visit and learn more about the art world, gain new
perspectives and insights, somewhere that we can all find our other people
within.
I was amazed at the variety of
locations people joined the group from too. The UK, Southern Ireland, Alaska,
New York, New England, Colorado, Utah, Arizona, Florida, and other continents
such as Australia and many places in between.
What I find more amazing is that
this global community came together within just a few short hours. No one as
far as I know has physically met, people came together with only the power of
the internet. I think back to that time I flew over New York and wonder how
close to each other we might have all been at some time in the past without
knowing that we are there or that we share a passion for the arts. Did we ever
pass a now Facebook friend in the street once?
The Artists Lounge Facebook Group |
Art brings people together…
There is no denying that the often
used cliche that art brings people together rings true because it simply does.
I remember spending two weeks in Cuba and despite the language barriers, art
was the universal language we all understood regardless of the language we
spoke. The same when I visited Russia and The Hermitage, Italy and Vatican
City, no matter where you look or where you go, art is everywhere and it is a
beautiful way to communicate.
In local communities art has a role
too. Sadly we see fewer community art projects today than we once did due to
funding constraints of local authorities and town councils, when money needs to
be saved it seems that art is always amongst one of the first areas to fall under
the axe. Yet art can build bridges in divided communities and bring people from
many cultures together.
For artists, community based art
projects can do more for your career than probably a life-time of hawking your
work on social media can. I have seen this and experienced it in even recent
times where artists have gone out into the community with local art projects
and managed to pick up commissions and sell more art as a result.
The problem I had for many years as
an artist is that I really struggled with the local connect. The internet has
made global reach relatively easy, more people from continents on the opposite
side of the world owned more of my work than local people did at one time, and
I know of many other artists who have found this too. It’s not a bad problem at
all to have but it makes life marginally easier to deal face to face with
clients when they are in the local area and marketing becomes much easier too.
So while we do have this unique and enjoyable ability to market art globally, local reach is often way more challenging to win unless you live in a vibrant arts community already, and it’s a community with a lot going on that you can get involved with. Sometimes we even forget that a market might exist right on our doorstep.
The marketing side of your art
practice does become much easier once you have that connect with the local
community, I know it certainly was for me. Whenever we create marketing
campaigns on social media one of the biggest issues that a lot of artists tell
me and that I have experienced is that your marketing has to be amplified many
times over and it has to connect with lots of different people from very
different cultures.
Will buyers in Montana get that
quirky joke about buses always turning up in three’s or not at all if they’re
not familiar with how public transport works or more often doesn’t work in the
UK, or will the marketing campaign still resonate with people if it is
depicting a cultural nuance? Global marketing seems to me to be much more
complex than local marketing yet we mostly all do global marketing on social
media, the question is could we do it better and make it meet the needs of a
more local market too?
A bad marketing campaign might become
more amplified the further it travels, or it might entirely work in another
global market, or of course it could just turn out to be a bad campaign
everywhere. As independent artists and creatives we don’t have access to huge
marketing teams spread across the world, so my moment of pondering this week is
should we be really be looking at going Glocal instead of either global or
local when it comes to marketing our art. We don’t always have the time to do
both local and global well, but I know there is a difference in the audiences
which is often cultural.
I always speak about finding your
people but perhaps we are missing a trick here. Perhaps our people are
scattered both globally and locally, but maybe there is some disconnect in what
we are doing when we market our art that doesn’t quite resonate with a
particular audience in a particular area?
When I think back to the big
corporate brands and the times they have got this very wrong, I think we as
single member art/director/marketing/everything else that an artist has to be
kind of team, we should most definitely think about some of the nuances in
social media or more specifically some of the nuances around the very different
cultures who use social media.
Take a look at marketing blunders
online and you will see names like Starbucks, Ford, Cadillac, and I kid you
not, one ice cream cone manufacturer in India who chose the name of Hitler Ice
Cream cones in a nod to an uncle who had been given the nickname because of his
short temper, not good, not good at all.
Adding in another level of
complexity into our marketing efforts makes everything more challenging but
perhaps we don’t have to go as far as the corporate brands do. If art is the
core of what we market, the art will communicate better than any words we dress
it up with will. There’s no one size fits all approach to coming up with the perfect
marketing campaign when it comes to art, but maybe an appreciation and a nod to
other cultures is something that might be worth incorporating.
Creativity can be bound by culture.
If we take a look at marketing and what good marketing looks like it is about
the use of words and images that evoke an emotion or a reaction in the intended
audience. Last week I spoke of the emotional connect that that people use to
connect with the artist and their art and also the logical connect, but we also
know that emotion is often specific to cultures too. What might evoke a
positive emotional reaction in one market might fail completely and have the
opposite effect in another.
Creativity is tied to beliefs and we often don’t realise just how much those beliefs can define who we are, or why we have the opinions and thoughts and ideas that we have and even why we produce the art that we do.
I think that this really does start
to demonstrate even more the importance of finding our people but once we have
found them we then have to take into account how we best reach them. Neither of
those are easy things to achieve.
That’s why I say that local
marketing is easier although for many of us it might not be the market we are
in and for some people it might not be the market they want to be in. I have
always found that for me and other artists I know, the local market can be a
tough one to break into. If you had said to me a decade ago that global
marketing would be easier than local marketing I would have laughed out loud,
but then social media happened and the world became infinitely more steps
closer.
Marketing is difficult enough and
observing the many cultures adds to the complexity of what we do and then some.
So this is another area in which I hope the new group will be able to help each
other. The group is a closed group meaning that what is posted in the group
should stay in the group, so it seems logical that we might want to all try to
engage and help each other by sharing what works in what country or even in
what State in the US.
Over here in the UK there are nuances
that need to be observed even between counties that are not that far apart as
the banking giant HSBC found out this week after putting Nottingham’s
advertising campaign bang in the centre of Newcastle upon Tyne and the
advertising for Newcastle slap bang in the middle of Nottingham. This is
another way that artists can support and help each other, we can provide local
insight, we don’t have to be in this alone and we are never or very rarely each
other’s competition.
So how do you break into a local market?
Now we have the cultural nuances at
least on the table, breaking into a local market is the next one to take a look
at. In my years of being around the art world I can honestly say that local
markets have always been tougher for me. Some people find the complete opposite
and struggle with other markets but do really well locally.
It was only when I started to
create designs for things like restaurant menus that I found a local business 2
business market for art and graphic design, but over the next year I will be focusing more on the local market than I have done previously.
There are a lot of exciting
developments in my area, we are finally getting a long promised designer
shopping village and I am hoping that a gallery will find its way into the mix
of designer clothes and handbag stores. I’m hoping too that there will be a
decent coffee shop because if there is one thing we need in the local area it
is somewhere you can find a good flat white. What I am more excited about
though is the prospect that more people will come into the local community. That
means that local businesses have an opportunity to take advantage, but equally I
am always aware that anything like this can also impact local small businesses
negatively. Hence my focus on local business over the next year ahead of its
opening.
Many communities around the world
engage in art related events. Art and Craft markets, art walks, community
lectures and classes, it’s surprising just how many of these events get held
locally yet we don’t always hear about them. The results can be disappointing
for those who attend as exhibitors if there are no buyers. Sometimes events don’t
do as well for the simple reason that not enough “art people” or those involved
in the arts get involved in organising the events. Often that’s because as we
don’t have a high profile within the local community. Getting artists involved
in the planning of these kinds of events I would have imagined would be on the
must do list for organisers, but apparently that’s not always the case.
As artists we can help to do
something about that, we can engage with the local community and push for the
arts to be higher on the agenda, or we could simply just offer some of our time
and volunteer. As I said earlier, the arts seems to me to always be amongst the
first of the local services to get cut because there’s not quite enough money
in the local pot, which is a tad short-sighted given the benefits that the arts
can bring. As for giving up time, perhaps the way to look at the time you give
to any event is about not only the event but your own continuing professional
development and networking, both equally important ingredients to artistic
success.
We should be asking questions of
local councils and authorities around their arts programs, maybe collaborating
and looking at empty space on the high street to hold pop-up exhibitions and
classes, none of this has to be expensive, sometimes it can be just a coalition
of the willing who need to make things happen. If they don’t then there is
always a risk that as budgets get cut, the arts are merely given lip service or
get the occasional token gesture because someone thinks that is what they
should be doing but they don’t really understand fully why. Even worse, because
it’s a trendy gimmick and art should never be that.
Thankfully not every area is like
that, and those areas that do get artists involved in community projects always
seem to have much better arts events than those who don’t, and the areas themselves
benefit significantly more. My own local area holds the occasional art event or
craft market but rarely do I ever see anything about them on social media,
there’s no pre-event buzz, certainly no post-event buzz and if people don’t
know what’s going on in their own area they are unlikely to turn up to the
events.
I could never commit to exhibiting
at these events because I have seen the poor turnout, especially when you think
that this is the same area eager to see a development of expensive designer
shops. There’s a disconnect somewhere.
Local events are one of the best
things an artist can be part of that serves not only the good of their communities
but can also do wonders for an artist’s own career. Whether that’s building up
your confidence around your ability to network or just meeting local people and
other small businesses, or knowing that you gave something to your own
community. This year I am hoping to be involved way more locally and because
like many people, I probably know more people who live on opposite sides of the
world than I do my closest neighbors.
Another aspect of becoming more
engaged with local markets is that we often fail to talk enough to work
colleagues about what it is we do. Many companies today are starting to promote
lunch and learn events where people come together over lunch to learn about
what teams within the organisation do, but interestingly some allow people to
showcase their hobbies, skills, and outside interests. It’s an easy thing to
set up and something that could lead you to even more markets are maybe just
get art on the agenda.
Local community arts projects can
benefit the young too. When young people are exposed to the arts they gain
better observational skills, are more able to express themselves creatively,
become better at communicating, and it broadens their interest. At a time when
services for young people are being cut, all it takes sometimes is that coalition
of the willing to come together and involve those who will see the most benefit
from it to become a part of that coalition too.
The key to winning over local
markets has always been to become more visible within them but there are
opportunities for artists to not only become visible put to also contribute in
other ways to the community too, helping both the artist and local people and
let’s not forget the local economy.
Whenever I have traveled around
the world I have seen pockets of outstanding arts related projects that have
transformed entire areas, but I have also seen areas where the arts are at best
a token gesture if they’re even present at all. As artists we have the gift of contributing
to something that not only benefits us in a business sense and with our own
development but also to help bring people together and bring about social
cohesion. I truly believe if it can be done online through something as small as
a Facebook group then surely it can be done in the offline world too.
Let me know about your local art events! |
Let me know about your upcoming community events…
If you have local arts events and
projects in your area and you want me to feature them, let me know! Don’t worry
about the location because we do get people from all over the world visiting
this site, but also because your event might just inspire similar events in
other areas of the world too and it also gives the event somewhere else to be
mentioned online.
The really vital thing though is
that it might just give some of those regions that currently have little in the
way of arts related programs running, an insight into the art of the possible
that could make them start to see the arts as an important element that makes
society better. Show the world what you are doing and the world might just want
to do it too, and wouldn’t that be phenomenal!
About Mark…
I am an artist and blogger and live in
Staffordshire, England. You can purchase my art through my Fine Art America
store or my Pixels site here: https://10-mark-taylor.pixels.com
Any art sold through Fine Art America and
Pixels contributes towards to the ongoing costs of running and developing this
website. You can also view my portfolio website at https://beechhousemedia.com
You can also follow me on Facebook at: https://facebook.com/beechhousemedia where you will
also find regular free reference photos of interesting subjects and places I
visit. You can also follow me on Twitter @beechhouseart and on Pinterest at https://pinterest.com/beechhousemedia
If you would like to support the upkeep of
this site or maybe just buy me a coffee, you can do so right here.
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